Two short recommendations…

Written by admin on March 6th, 2010

The C (creative, Crystal, calibrated, compiled) Week in Review #4

This week, I have been thinking about what tools we really need to fulfill last week’s list of the skills we actually need. I have gotten some enthusiastic responses to what skills a person ought to really know…that everyone should have a foundation in. The idea would be that along with specializing in a particular skill set, you would experience the most major sets of skills leading up to it along with studying the theory. I am a product of a liberal arts education…but I do wonder if that mode of learning, set up originally to address upper middle class career aspirations from a different age, is now the best fit moving forward. My instinct tells me that a mix of traditionally more “hands-on” learning and theoretical learning, even at the level of higher ed, is key.

In any case, back to working on my own work more this week… and tackling issues in web design and development–one of those things from last week’s post on the essential skills to have. Gettin’ there, gettin’ there.

As for creativity in my week, I watched a friend of a friend play a little concertina last night…or, rather play a little on a little concertina.

Apparently he busks in Charleston once a month near the library… we are going to seek him out a bit today.

Otherwise… here are two snippets of things that I recommend….

Crazy Heart

Finally saw it this week with my sister….Crazy Heart (which I think of as being titled after the main character “Bad Blake,” that is, when I think of the film I don’t think of the given title, but of his character) had me wrapped in amber, the kind from Arizona skylines, the one from aged whiskey, the kind of an insect caught in a viscous fluid….Amber of basking in sun-warmth, like how you know that light is anything but artificial. I don’t remember the last time a film wrapped its way around me… and, if you haven’t yourself, I have known those people: immensely talented drunks or addicts or former drunk or addicts that spin out more creative work from their little finger than most of us can from our whole hand. The film Crazy Heart captures all of this. Here is what I also love. No one is crucified, vilified, exempt, all bad or all good. I love that the amber doesn’t sink to the rock bottom and it doesn’t stand forever in the yellow spotlight. This is why you go see a film, a goddamn film, not a movie, but the way a film can be, dramatic without big drama. Good for them all. This from Wikipedia about the film (for as much as Wikipedia can be trusted, but here it goes anyway)…

The film was produced for $7 million by Country Music Television, and was originally acquired by Paramount Vantage for a direct-to-video release,[2][3] but was later purchased for theatrical distribution by Fox Searchlight Pictures.

Good for Scott Cooper from down Abingdon, VA that got it together to make it thanks to Robert Duvall, good for T Bone Burnett, good for Maggie Gyllenhaal, and by god, good god for Jeff Bridges. All in all in all one helluva a job…. One complaint was that it didn’t have much of a plot… actually, I think it showed the life of one type of addict quite brilliantly, that is, that things happen around him but his emotional life does not change till he sobers up. Gyllenhaal had to be our emotional barometer, which she pulls off brilliantly. Her characters also has a subtle arc, she does get what she wants in the end… not a marriage, but being a real journalist. That all worked for me….

One other note, I went looking for more about the actors and came across Jeff Bridges’ website. Very worth checking out… not every part of the site is a successful design, but I do like what they did with his “handwritten” and drawn bits: http://www.jeffbridges.com/main.html

Next bit– born and raised in West Virginia, I never knew Bill Withers was from there till I was listening to a PRI story this week. There is a new doc out (no theatrical release scheduled yet) about the Soul singer.

Bill Withers

Still Bill

http://stillbillthemovie.com/

There was a fantastic bit they played on air in which Bill and his daughter sing together. I almost stopped the car. She blew me right out of the seat.

The gist of the doc seems to be that Withers retreated on purpose from the spotlight, that dealing with the things you deal with being famous never suited him. Until I looked up more about him, I also didn’t realize how accoladed he was.

Beautiful day here… going to do some more writing. I should go see Nikki Giovanni this afternoon for free…I’ll let you know if I get there.

If you didn’t already know… the state of the internet

Written by admin on March 1st, 2010

A fantastic visual overview of the state of the internet and a brief history of social media. If you ever needed proof of the online revolution… or needed to convince someone of why they need to do this now (from http://www.jess3.com/blog/2010/02/our-social-media-history-animation.html):

JESS3 / The State of The Internet from Jesse Thomas on Vimeo.

What Do We Have to Know?

Written by admin on February 27th, 2010

The C (creative, Crystal, calibrated, compiled) Week in Review #3

At first this didn’t seem like a very creative week, mostly a skill-building kind of week. Spending some of my days now with kids under the age of ten has actually made me more hopeful about the future. If you haven’t been in an elementary school since you last attended one, the one I currently am spending my days in could come as quite a shock: bright classrooms, kids out of their seats now and again, tech labs, music rooms, art rooms, an array of interventionists to help kids along, teacher’s aides, etc… and this is in a public school in West Virginia. Seems like there certainly has been a shift from my days years ago in the same state, silent, in rows, where speaking out of turn got your knuckles cracked with a ruler.

But all of this change also leaves me thinking, and, I have been thinking about this for a while: what are the actual useful things to know?

This is a long and hard debate, and I think of the debate between Booker T. Washington and Frederick Douglas about learning skills that would get you a job or learning for learning’s sake. My guess is that the truth is somewhere in between. If I could roll back the clock and have time to learn everything I really need to know… or, if I think of my husband’s kids or these kids I have in school now, if I could design a curriculum that would address life as we know it, I would include the following skills. Now, of course, not ONLY these skills, but as I approach the age of two score, these seem to be the essential skills for survival as a person in almost any situation and as a person that probably has to do something to earn money, or at the least, save money. These skills are not in order of relevance…yet, imagine how interesting and useful school would be if these skills were included, and, imagine what a different society this would be, too.

Essential Skills

Web authoring and web design

You can’t have a business, get the word out, or do almost anything without involving this know-how.

Photoshop

Ditto. It is essential for life on the web as we know it.

Farming, nutrition, and cooking

Everyone should be growing part of their own food. Period. If you can grow it, and grow the right things, you then need to know what to do with it.

A martial art

As I approach two score, almost no one I know that knows a martial art really well is a major screw-up. They seem to have some self-reliance, and they certainly have some discipline. Also,  most martial arts seem to be lifelong pursuits, unlike football or baseball or gymnastics.

Self-defense

If everyone knew that everyone knew the basics, well,what a different homelife many people might have.

Auto mechanics and bicycle repair

You have to get from here to there somehow. You should be able to do a lot yourself. Gun safety is also important (see below).

Psychology, interpersonal relationships, conflict resolution

‘Nuff said. Know the nuts and bolts of yourself and others and how to deal with nuts. You are going to be working in teams and maybe “managing up” a lot, so learn maybe the reasons behind the why. Learn how to get along with almost (and almost, but not all) anyone: bosses, co-workers, partners, spouses, exes, children, neighbors…. In short, it’s not all about you…and the converse, no, they can’t do that/say that to you, either.

Childcare, teen care, elder care

At some point in your life you will most likely take care of a child, a teen, or an elder. Learn now what you need to know later.

Animal care, animal slaughter, food (or wool or leather) from animals

Don’t get a pet unless you know how to and can care for it. Ew, animal slaughter grosses you out? Then don’t eat or wear animals anymore–then learn how to make yourself a grass skirt when or if you may need it. If you can handle learning to prepare from step one on up the meat that you eat, then learn it. You never know when it may be essential.

Management

At some point either you will be put into a position managing other people and you will have no business doing that or you will work for someone who is responsible for managing you and has no business doing it. Lots of people managing others have never taken one class in interpersonal skills, conflict resolution, or psych much less management. And no, having an MD, a JD, or a PhD does not make you a people person or endow you with one shred of sense when it comes to business plans, business orchestration, teamwork, etc… Also, you may have an MBA and find yourself managing up, which I hear about all the time from almost everyone I know dealing with Boomer bosses that can’t even log into their own email accounts (yes, still, in 2010) or who don’t like to learn anything technical (which includes anything about the web).

Meditation

Stress, anyone? It’s the #1 killer, really. We should all probably know how to chill.

Household repairs, wood carving, and construction

Landlords or slumlords don’t show. Your McMansion is a McDisaster. The starter got up and left. Fix it so you can live in peace. Build it so you don’t have to pay to have it built.

Simple electronics and computer repair

Ditto. We should all not be afraid of opening up the back of a PC or Mac and installing the extra memory.

Accounting, Excel, personal accounting, and tax preparation

For your own finances, for where you work, so you don’t screw others or don’t get screwed in the spreadsheets.

Swimming

It’s good for you and you should know how in case you need to.

Emergency preparedness, basic medical care, and CPR

Again, it’s good for you and you should know how in case you need to.

Basic video and audio production

Want it on the web? Need to show it? Learn how to make it.

Ethics, Philosophy, and World Religions
The first two are intertwined with the last one. In order to make sense of what to do and how to behave, and, how to make sense of the news, these seem more essential than ever.

Entrepreneurship, starting a business, making a business plan
Even if you don’t start your own, this is useful stuff to understand the ones you are working for.

Geography

Not just part of a World History class… but it’s own class that also discusses topography, climate, peoples, etc…

Principles of democracy, social movements, and organizing

I’ve needed these skills at any number of jobs–how to get people together, how to form groups that are fair, how to get the word out in a community. It’s something everyone should know how to do.

Piano or guitar

You can also write a song or make friends if you know one of these. I’ve seen this happen dozens of times in my adult life.

Ballroom dance

This may seem silly, but, at higher level social functions, many folks know how to swing, jitterbug, foxtrot, or cha-cha and this is true around the world. If you are suddenly in a room with diplomats and there is live dance music, this is a needed skill to have.

Marketing, PR, advertising & media literacy

Not only should you know the man behind the mirror, you should know how to make a mirror if you need to. Most business or most of life takes some kind of marketing know-how these days…

Driving a car, truck, or motorcycle, boat, or semi-

You never know when one or the other of these may be the thing you need to know how to work.

Gun safety and use

Same here–you never know when one or the other of these may be the thing you need to know how to work.

Tying knots

I am not so sure about this one, except that my husband laments he doesn’t know more about it. Seems like a natural to learn maybe in geometry class or something and could be useful in a bind (all puns intended).

This is my list, and, of course I don’t know everything on this list–or even a lot of it–but it now seems like a good list to use to start with. It seems that if you know these things, you’d be ready for most anything life could send your way. I could and maybe intend to build a school curriculum that builds these in. This list seems to have a good mix of “hard” technical and physical survival skills and “softer” skills like getting along with people and getting people together to accomplish things.

Hey, you out there, if you are listening, anything I’ve missed that should be on the list?

The C (creative, Crystal, calibrated, compiled) Week in Review #2

Written by admin on February 20th, 2010

People let me know they enjoyed my love letter to some creative folks I know last week, so I thought I’d try this again. I like focusing on the creative acts that work for me, that have appeal, rather than those that don’t.

Here is the C (creative,  Crystal, calibrated, compiled) Week in Review

Writers Workshop at the Charleston Culture Center

Last weekend I was surprised when about 200 (or more) people showed for a day of free writers workshops at the Culture Center in Charleston. I have taken writers workshops with many a master writer and this day was no exception. The morning I spent with

Frank X Walker, http://www.frankxwalker.com/

I heard him read two or three years ago with a group of Affrilachian Poets and was impressed with his imagery, topics, and energy. I then subscribed to his creative journal Pluck! that focuses on creative African-American work in Appalachia. In this workshop I appreciated his attempt at boiling down the main elements of poetry: image, rhythm, economy of language, and, I also appreciated his addressing persona poems directly. As a writer primarily of fiction, a persona poem allows me to enter into poetry from a place that resonates in me rather than out of a fear of treading too heavily and stomping all over a genre. I also got to see him read last Friday and was moved and impressed again…

Doug Van Gundy, http://www.dougvangundy.com/

Doug you read about in last week’s Valentine’s post. He subbed in an autobiography class for a writer that couldn’t make it. I don’t want to give away his tricks of the trade, but his exercise was well-thought out and particularly clever. In brief, out of a list of our top ten most significant life events, he had us focus on number 10 rather than number 1. The thought being that most of the top events of most folks’ lives are commonplace (births, marriages, graduations, jobs), but that number 10 is less emotionally charged, but maybe also less commonplace. This lent me more insight into those people that do write successfully about their own lives.

Mid-week Public Radio International ran a piece on the change of mood in Japan from giddy humor and anything’s possible to more somber. This fabulous skit from the Japanese version of the Johnny Carson show from the mid-1980s was used as a pop culture illustration of Japan’s former Zeitgeist. I loved this–everything about it: the costumes, the story, the cheekiness, the kitsch, and how well orchestrated it is. You gotta love this, right?

Japan seemed to be one theme of the week. After scoring organic udon noodles at Big Lots, we did a lot on a pseudo-Japanese food theme this week…. and, then, last night, the Unitarian Church here in Charleston, WV showed last year’s foreign film Academy Award winner for free:

Departures

Apparently it took ten years to put this film together. Really some just fantastic acting. This is also some of the finest screenwriting I have witnessed in a very long time. I had wondered if it were based in a novel or short story (I can almost always tell). Turns out it is roughly based on the autobiography of a Buddhist mortician. Far from being morbid, there are layers of love stories and types of love, lots of inner and outer struggle. The scenery is also spectacular. Sometimes I have found Japanese films too outside my cultural experience for me to really get the full picture of a film event’s significance. Departures struck home with me on universal and modern themes, without resorting to the grandiose. I would certainly watch it again.

The next creative things I am going to do:

After being asked often now for access to print copies, I have set out the task of getting my two books into print publishing shape this spring. For a while I was torn: do I try again with agents and publishers or do I keep giving it a go on my own? Three years ago I gave it a shot at larger scale publishing, only to be told by agents, that although they loved what they read, they felt they couldn’t market Bombardirovka. I know that despite very encouraging and positive feedback, I haven’t pushed the novel enough… but I am thinking that the right time presents itself for each creative work. My goals are to get it and Disco Hillbilly into print form by late spring and available through our new business entity MediaCauseGlobal as our first works out under that creative imprint. I am hoping to end up a sort of Ani DiFranco of publishing and multimedia. DiFranco started her own label back in the 1989: http://www.righteousbabe.com/ and has never worked through a major label. Now, she doesn’t have to.

Okay, maybe I should have started this twenty years ago… but better late than never. This is also what writer Dave Eggers did. He started out in ‘zines, then started McSweeney’s, which now also publishes him.

There is good proof, though, that one’s facility with language and story improves with age. I am hoping this is true of marketing oneself and one’s friends and the creative folks one admires. I guess I’ll find out.

What am I up to this weekend?

Hope to go see see Crazy Heart. The guy that wrote it is from this part of the country from down in Abingdon, VA… and got his start at the Barter Theatre there apparently.

Today, we are starting a photography project (once I get Edward out of bed). We are starting with what we have: ideas and some cheap equipment. I’ll keep you posted on how it goes.

I also hope to get in some time updating a formatted version of Bombardirovka and also work on the next installment of Disco Hillbilly for the web.

I am also reworking a website of my dad’s…

Next Twyla Tharp questions — from her list of questions that help you figure out your creative DNA

Last time I answered questions from Tharp’s list (see an earlier post) on the best idea I ever had… here are its opposite and the links between the two…

5. What is the dumbest idea I ever had?

I am going to stick with the realm of ideas. We have all done things we regret…so the question focuses on an idea — what is the dumbest idea I actually never realized, that is, made reality?

Maybe trying to potentially set up a service that helps writers get writing work. It seemed like a good idea at the time.

6. What made it stupid?

I didn’t have the infrastructure in place to actually make it work. I spent way too much on a graphic and simple website and that would have been better spent with a consultant flushing out the ideas. My view, though, is that with time, bad ideas morph into somewhat decent ideas. I do thinking owning and starting a business was a good idea. Last summer I thought I wanted the business to focus on the nonprofit sector; now, I think the business has settled into a vehicle for exclusively creative work. Ideas need time to ferment and become what they are going to become. I am pretty happy with the idea of a business focused on creative work…. So, from a stupid idea three years ago comes a pretty good idea this year.

7. Can you connect the dots that led you to this idea?

My MFA program gave no advice or direction on the “what next” part of being a writer. Great. So now you have an MFA. What next? Only so many writing instructor positions exist, and a lot of those are now taken up by folks with a Ph.D. AND an MFA and a hefty publishing credit under their belts. I’d thought about giving seminars on the what next of creative writing, and then, using that to recruit writer-consultants. Frankly, about that time my day job amped up, and I just didn’t have the time to invest in this idea. Then online writing portals really took off, so my idea was so of already obsolete by the time I got around to thinking it.

8. What is your creative ambition?

To complete the projects I have already outlined for myself. These include:

getting Bombardirovka (which I refer to affectionately as Bomba) and Disco Hillbilly out in print and audio forms

investigating and theorizing a school of the arts and technology

becoming well-experienced in multimedia production

become well-experienced in creating art through using digital media, esp. the web

finishing a long list of creative projects: Dogfight film; Chicken Mountain project; several audio and video projects; two more Jada Perlmutter novels; several online interactive narratives; three docu-reality multimedia websites, etc.

to become a creative and learning theorist

to become/remain part of an exchange of ideas and art

I think sometimes about being part of a larger conversation on a larger stage, but I am not sure I even care about that, or have ever cared about it, really. I am not sure what a person gains, other than access to the people also on those stages– maybe more money? I don’t know, though, if that stage door closes behind you once you go through it. That would most definitely not appeal to me.

Valentine’s Love Letter to Some of the Most Creative People I Know that I Could Share a Pot of Caffeinated Beverage With

Written by admin on February 13th, 2010

Some of the crankingest creatin’ people that would share a beverage with me–not that I don’t know a lot of talented people beyond these, tons, but, well, these folks are special as I think of the few I am starting out with here as “non-stop engines of ‘Creative I Think I Can’”–always coming up with new and interesting projects… and never wearing out and doing it again year after bloody year, and I do mean getting bruised and broken and not stoppin’…

Oh!  And l let me say one more thing about these people.  They all inspire me.  They are also personable. These are all people you’d like to be around.  They make you feel creative and alive being around them.

NOT in alphabetical order or order of preference, starting with…

the creative females ’cause creative females also usually get the sxxt-stick when it comes to recognition.

Ann Pancake, http://annpancake.blogspot.com/

A WV native like me… a master fiction writer and just an all around good soul. Her words and themes are real… that is, she is not shucking and jiving you. She knows of which she writes and she renders the prose with atmosphere, glimpses of light and shadow.

Nancy Agabian, http://nancyagabian.com/

I right out super way loved reading Nancy’s autobiography  Me As Her Again. She always has something cooking, whether it’s running off to Yerevan, Armenia to blow people’s minds there with performance art or doing a reading of her work in the States. She does it her way. Period. So there.  Her work can also be unbelievably funny, like the piece she read at Beyond Baroque about her being hazed while working on a children’s show in LA.

Sandra Sievert (and Dirk Berger), http://www.s-wert-design.de/

I have known these two folks for years.  Sandra is the ’s’ in S-wert Design and the picture here is worth a thousand words.  She opened her own business in Berlin focusing first on the city itself as inspiration for her work.  Trained as an architect, Sandra has made a creative life that works, and she gets paid for it….

Tina Kim, http://www.tinakim.com/

I met Tina at a show she was performing.  Just one of the funniest people there is and she is also nonstop.  You never know what she is going to say, and I say this with the utmost respect, she don’t give a hoot… I mean, she will just say it, you better believe it. She is hilarious in a world where out-of-touch effetes like Christopher Hitchins can get away with writing in Vanity Fair a few years back that women are not funny.

Sonya Gay Bourn, http://www.sonyagaybourn.com/

A Renaissance woman: Sonya writes for entertainment media (TV and film); she directs; she is co-head of the Women’s Committee at WGAwest, and, if that ain’t enough–she is an awesome stand-up comic. She also happens to be from North Carolina and her dad was born in the same county in West Virginia as mine.  She always has something cooking and I am always excited to see what she is up to.  She is also a mean clogger.  Just throw on Rocky Top somewhere around her and you’ll see.

Carmen Elena Mitchell, http://therealgirlsguide.wordpress.com/meet-the-real-girls/

I couldn’t stop watching the promos for Carmen’s webseries The Real Girls Guide to Everything Else.  We took a writer’s workshop together almost eight years ago and she  has super come into her own. She writes and acts in this web series, and, it’s just one of the smartest things out on the web in terms of entertainment. She also pulled all this together herself. Go, Carmen!

Jacqui Barcos, http://www.jacquibarcos.com/

Jacqui Barcos is a force of nature. She really is.  A writer/director, you know, an auteur, she really just does have what it takes.  Beyond being super talented and exciting to be around, I truly envy her ability to catalyze situations and engage people.  She does nothing half-assed. She is also real and on the level, but smooth. She is the person you want on your side when you have to move mountains, in the good sense of the phrase.

Joanna Warsza, http://www.laura-palmer.pl/

Joanna I met because she was the main organizer of this crazy art exhibit when I was living in Tbilisi, Georgia. The exhibit was throughout the Betlemi neighborhood, which was traditionally the Jewish and Armenian quarter of Old Tbilisi. During the exhibit, you actually walked into people’s home, and maybe,  in one, there was performance art.   In another, there was a techno cave. In another space, someone was serving absinthe and taking you on a tour of a Zoroastrian temple, that, yes, was actually now part of  his home.  In a place where it is not easy to get things done, Joanna got everything together, and, she was an extremely warm person to be around. You could see why people would follow her. She made sure you felt you were wanted and she went out of her way to make sure you had a good time.

Dorian Wood, http://www.dorianwood.com/

Dorian. Dorian. Dorian. Dorian. What to say about Dorian Wood that hasn’t already been said? A consummate musician, composer, and performer… I almost feel like a poem about Dorian would be more appropriate. In short, there  is nothing about him that isn’t lyrical. His scruffy beard under a sometime mop of curls. His good-humored melancholy. His preferences for donning black blouses like your grandmother would wear. His 20-minute raps wrapped in a white sheet. His on-the-spot improv songs. His ability to channel both Patti LaBelle and Mahler all in the same note, the same instant.

Doug Van Gundy, http://www.dougvangundy.com/

You know that kind of person that just crackles with smarts? That kind of person with such a wide array of references that you are just excited by what all he knows? Then, when those smarts get boiled in the same pot with talent, and not just one talent, but several talents, and this person also happens to have focus and  drive? The person gets up and does it?  He gets out and shares it?  He doesn’t keep it all to himself?

Also, when you are around someone that believes in what he does enough to find vulnerability still when he comes to the page, enough vulnerability to still tear up at what he has written? If you don’t know anyone like that, then, well, obviously you don’t know WV native Doug Van Gundy…

Rod Cumming, http://www.myspace.com/cathairensemble

Rod, the leader of Cat Hair Ensemble, writes almost the best lyrics you’ll ever read.  He prompts you to pursue your creative career on company time. His limbs float about as he mourns the loss of your love. Plus, he friggin’ plays accordion. And he can sing.  Oh, and by the way, he has an MFA in screenwriting, like a good one from a hard school.  Apparently he’s written some science fiction-y stuff, too.  At first glance, you’d never guess he was born and raised in New York City, but, once you hear him play, you see it out before you, a Manhattan Street still haunted, a street jilted, ignored by the chain stores now littering that isle, you see Rod early in the AM, noisebox tucked at his side, making that walk home that the wild ones before him have swaggered. Except, whoops, you forgot he now lives in LA.

Jack Terricloth, http://www.worldinferno.com/

I met Jack before he was Jack or a Jack-in-the-box. The back-then Jack made me spend my rent money on a used tuba. A couple of years ago, after years, we sat in a pink balloon made of cotton candy in a basement bar on St. Mark’s and compared life notes. He’s done exactly what he wanted to do, so thankyouverymuchSin-aeeetra. Including floating in a pink balloon made of cotton candy.  There’s really no excuse for not knowing his music. He’s also been doing this for, count ‘em, almost 25 years…. What the hell have you been doin’ for 25 years?

Artsvi Bakhchinyan, http://www.reporter.am/go/article/2009-04-18-artsvi-bakhchinyan-compiles-the-stories-of-armenians-past-and-present-far-and-near

Artsvi is one of those people that leads a creative life. He has made it happen in a country that it’s not so obvious or easy in. Professionally, he is a writer and a film academician. But that is just the start. He juries film competitions. He sings in a professional choir. He writes book after book. He takes ballet lessons for fun. He hangs out with his family and three children. He always has time to make new friends and greet old ones. He does this all with exuberance and joy. His life is very much a model of how to live a happy creative life.

Lado Burduli, http://www.myspace.com/ladoburduli

When’s the last time you listened to some Gothic new wave from the Republic of Georgia? If so, then you listened to Lado Burduli. Talking about recording his latest album with a classical ensemble, we compared notes on how exhausting the full-on creative process can be. People don’t understand why you are so tired… you are putting yourself on the line minute by minute. Lado should, by now, be a sort of world music star. He keeps at it, always wanting to find a way to exalt the modern Georgian performer, the contemporary musician engaged in the music of today, and to gather the contemporary artists and creative people together in community in his country. Bravo, Lado! It makes you think, what’s the last thing you did to bring creative people together?

Leonard Graves Philips, http://www.myspace.com/dickiesband

Could you keep up being cantankerous for almost forty years?  Could you? Leonard fronts one of the punk bands that has stayed together the  longest.  He has the deepest speaking voice you’ve never heard (he should be doing his own radio show). He’ll also argue politics with you until you want to hit him with one of  his puppets. Beneath it all, though he wouldn’t want you to know, like so many of the punks, he is a gentle soul.

Joe Tepperman, http://sail.usc.edu/~tepperma/ and http://www.myspace.com/mooeymoobau

Joe recently made his first music video, which I also couldn’t stop watching. The dude is in his 20s, he’s getting a Ph.D. in some kind of thing like audio recognition, he writes mean, lean, long, sound poems and sets them to music.  He plays amazing trombone. I wish I had wasted my 20s being him. I can’t imagine how creative he will remain into his 30s.  He’s a one man Talking Heads. Move over, the rest of you poseurs and louts.

P.S.

So, reading and thinking about what it means to be creative…. I left a comment on a Daniel Pink interview recently with Seth Godin… I’d really like to believe it, I’d really like to see it where artists get hired to be artists and paid the big payola. I remember learning about the chart by some famous anthropologist (feel free to remind me of who) who noted three main motivators in human behavior, but that we are not all motivated by them in equal amounts nor proportionately:

’security’

‘identity’

and I think the last one was ‘adventure’

Right-brainers, I think, probably mostly fall into the latter two categories. Managers??? Into???

I am unconvinced that the Right-Brainers (the creative types) are really going to rule. Maybe they will rule some parts of industry, I don’t know which parts, or if “artists” and “industry” — ne’er the twain shall meet…other than Apple, and those are hired guns all working for a common business purpose.

Further, I just came back from the Caucasus where I heard the the Finance Minister there give a presentation that sounded like he was propounding an economic agenda from 1970: construction and natural resources. Not to mention that the US remains in several wars: the war for ideology (internally and externally), the lost wars on vice (drugs & our bodies: gay, straight, and prostitutes), and the physical wars over??? What are they really about? I’m just not sure and haven’t been—I am unconvinced mistaken senses of propriety and culture-clashes won’t keep the creative class in its current lowly status…

‘k, as they say…. let’s use the old scientific method. What if the some of the most creative people I know well enough to share a cup o’ joe with actually were put in charge?

A couple of them on this list actually have been in charge of people and things… but, if I compare them to the folks that I know that run organizations or businesses… I see a chasm in need of a major synaptic leap. How do you experiment for that?

If I worked with ANY of these people listed above I’d wake up with a spring in my step and a song in my heart to go to work.

Imagine how different the workplace would be with any of these people in charge or asked for their input and actually having it applied.

Now, then, imagine the folks in charge most places. Then try to imagine those folks and these folks… mmm, ‘m not sure. There is a saying that interviewing for the workplace is like dating… Think of most bosses of companies or organizations you have worked in, now, imagine the experiment of sending them on a date with one or more of these folks. Close on some, but no cigar on others?

Post 1 of the Twyla Tharp Creative DNA questions…

Written by admin on February 9th, 2010

So, Tharp talks about finding one’s creative DNA. She discusses her own as being quite rooted in dichotomy: bio & zoe. Bio “accommodates the notion of death, that each life has a beginning, middle, and end” and zoe means “life in general, without characterization.” This made me think somewhat of Jung’s characterizations of the life of the mind and the life lived out in society. I read his autobiography a few years ago and it made a deep impression on me. He battled heavily with exploring the subconscious, a life of the interior, of dreams, and then with coming back into the world to live a life as Western society requires: extrovert and making things happen in the physical world. I’ve since searched for a quote that I attribute to him, but actually, I think it may be something I extrapolated from reading his work. I thought I read him saying that if you wanted to know someone, know a person’s psychology, look at what that person has built. The same could be said of a culture–look at what the culture has created and you will know what is important to that culture.

This brings me back to Tharp’s idea of creative identity and creative DNA. She says ‘if you understand the strands of your creative DNA, you begin to see how they mutate into common threads in your work. You begin to see the “story” that you’re trying to tell; why you do the things you do (both positive and self-destructive); where you are strong and where you are weak (which prevents a lot of false starts), and how you see the world and function in it.’

Wow.

If I answer these questions, I will learn all that about my creative DNA? Okay, maybe so. Though, another favorite quote I now find myself mis-attributing: take that about yourself which people complain about most and cultivate it, for that is what about you is truly yours.

Okay, in an earlier post I talked about how much I dislike creative writing assignments from other people… and, I am squirrelly when it comes to answering these kinds of things.

Questions answered: questions by Twyla Tharp

1. What is the first creative moment you remember?

Preparing to sing Jesus Loves Me for preschool Bible school. I was about 3 years-old. The full story goes that I was extraordinarily excited to sing. I loved practicing. I couldn’t wait to be on stage. The evening of the performance, I headed straight to where I thought we would sing–that is, where the choir always sung–in risers behind the pastor. Except, to get to these risers, you had to go out a side door and then enter the choirpit from a hall. Across the bottom of the choirpit ran about a three foot wall. While the other little kids lined up off to the right on the stage, I ran straight for the choirpit. And, I figured, over the wall must be the way to enter. In my haste, I foisted myself up onto the ledge, pulled, and about that time, got stuck halfway between the stage and the choirpit. I heard a huge crowd of laughter, more laughter than I had ever heard live in my short life, and looked back over my three-year old shoulder to see a sea of open mouths laughing at me while I unknowingly bared my ruffled yellow bloomers and my ruffled yellow dress slid down my back toward my neck. I burst into inconsolable tears, slid down, and ran straight for my parents to later be only mildly muffled by being bought a hot fudge cake at Shoney’s in Bluefield, WV.

I think this is not that atypical of creativity: I was so focused on my own excitement and the chance to perform that I sailed on past the rest of the crowd getting into line. My own enthusiasm upstaged the regularly scheduled program. My act of pointing out what was obvious proved to be more creative and daring (yet also humiliating) and more entertaining than the scripted entertainment.

2. Was there anyone to witness or appreciate it?

I was mortified by several things for years: singing (though I loved to). I often wondered if this incident stifled a voice or a performer I could have been…. Though, this provided me with one of my first stories to tell. I could clearly see the setup, and I saw myself in third person that evening; I saw what I had done, I saw what I had wanted, the climax was different than the set-up, and I had unanticipated audience response.

3. What is the best idea you’ve ever had?

The wheel for systemic change on gender in the entertainment industry. I came up with this a couple of years into working as the head of a project/organization for challenging the status quo on gender in the entertainment industry. I had never thought of myself as being great at synthesis, though, later reading Daniel Pink’s book

but as a writer and as a writer very driven by wordplay, and as someone, by the time I had this idea, that had managed to write a whole novel, I saw that synthesis is one of my fortes. I was able to take a lot of input from over the course of two years and synthesize it to this:

The organization I was working for headed up research and worked to cause a shift on gender imbalance in entertainment aimed at kids.  In my thinking, research formed the core of the issues; it defined the problem. The main players for change fit into the four categories around the wheel. These groups and interests would be solicited to come together in a collaborative effort. Last but not least, foundations and philanthropists would be approached to fund the collaborative effort.

After two solid years of doing this work, I came to believe that large-scale change was possible (as I noted in an earlier post of mine), but that only a large-scale collaborative effort would produce much substantive change.  In order to create a paradigm shift, this whole wheel would need to work in concert.

4. What made it great in your mind?

It was a model for collaboration and a model of how to make social change happen in a specific industry. I took what I had learned over the two years of doing a job I had and synthesized what need to be done into a simple graph. The idea was relatively clear and labeled who all the principle players needed to be. As the Japanese apology goes, I am sorry I didn’t have time to write you a shorter letter. This was a “short letter.”  It cut through a lot of the other nonsense about making change and it illustrates really what must happen.

Today… I can’t stop looking at

Written by admin on February 6th, 2010

http://doublehappiness.ilikenicethings.com

I am totally going to rip off their ideas.  I am just stating this here, for anyone who cares to read this.

Scroll to the bottom of this awesome visual and audio blog to their former posts and enjoy.  I also have this particular link’s Alvin and the Chipmunk’s rendition of Godsmack’s Voodoo song running round and round in my head like that terrible game you play where you try to make someone have a hideously awful song running around and around in their head all day.  Like when you sneak up behind someone you love and sing the lyrics to Neverending Story or Can’t Fight This Feeling Anymore or other such dreck.

So, I am going to riff on my Disco Hillbilly work by ripping off what they are creating at this site. It’s totally worth it…. and now I am back to trolling this site again and again… just so you don’t miss it:

http://doublehappiness.ilikenicethings.com

The Hard Questions

Written by admin on February 5th, 2010

I said in an earlier post that I would answer some hard questions Twyla Tharp posits in her book on the creative habit. My disclaimer is that I don’t believe in everything Tharp puts forward in the two books of hers I have read. I like hard work, but I certainly don’t think everyone should like what I like, or, that working hard makes one person “better” than another person, neither in art nor production nor as a person. What one person strives to complete, may be play for another. In short, there are all kinds of ways to live; I am not sure the Protestant Work Ethic hasn’t had as much to show its weaknesses as its worths.

It’s also a bit of a red flag that one of the two books I got of Tharp’s (both Christmas gifts) is touted as a great business book. Not that I am against business, but I am not sure about business. I am not sure about many endeavors, and I am not sure why I should (given the current economic climate, the climate climate, etc.) be sure. In the book Tharp gives advice about how to work with people you don’t want to work with, focusing particular advice on how to manage an out-of-touch boss. Again, this is being touted as a great business book. We are being advised often on how to manage out-of-touch bosses. How often this comes up in books and in practice makes me feel like:

How did we get here? What has happened that, by being out of touch, a person gets promoted to “boss”? Or, is it, that the nature of hierarchies is to ensure the boss is out of touch?

In any case, what does this have to do with art? To Tharp, lots of art is about leadership, discipline, and collaboration. More or less like getting anything done in most spheres. Collaboration has gotten a bad rap in the past as touchy-feely, and now after almost a decade of the new millenium, it seems to be everywhere–what lots of hierarchical institutions now want their members to do: come together, yeah. Years ago at the New School for Social Research when I was doing my master’s degree in the science of teaching Cynthia Onore, the program’s head, focused our learning on collaboration. We learned in teams and in cohorts. We practiced how we would have our students learn. We threw fits due to not having had a lot of previous practice in collaboration, but under their stead (it’s a damn shame the New School got rid of that program in the 90s) we grew unafraid to work together, and thus, we were unafraid of our students working together when we went into our classrooms. My point? Collaboration took a lot of practice. Huge stakes also were not at stake. We weren’t going to lose millions if we misstepped. And, granted, we were probably a touchy-feely lot to begin with: we’d willingly entered a program to become teachers focused on the needs of urban students.

Oh, I digress. Okay. The questions. Soon. I will post them next post. The questions that concern what one is as an artist. See, my beef, too, with Tharp is that she comes from the school of “well, just pick one!” In one scene she writes of how much she loves color and design and that she also could have been a painter, that maybe she would have been happy being a painter. But she talked herself out of it. Do this, not that.

I can’t say I am not in a struggle over that. My life, my public life and work life, really, rather than my social one, has been a tug between social cause and education work, which, have their expectations, socially and publicly, and creative work–writing, music, performance– which have theirs. The first is a more socially conservative realm with the specter of the Progressive-era school marm and prudish reformer flying above it looking to clean up the working classes and bring everyone to middle class propriety. The second, it’s safe to say its specter is not of a school marm.

To really have a country that is able to focus on innovation, able to compete in the new creative economy, able to break forth and solve the dire, dire, dire problems we face: I ask, are the right people even teachers? The right people involved in solving social issues?

A year or so ago I entered a competition to potentially win a fellowship to start a school in Los Angeles. The people running the competition were excited about me till I turned in my proposal. Albeit I crammed in too much in terms of the local demographics, I also focused on the “what next?” after college. I’ve been that teacher–the one expounding college. But, I also had every junior high school class of mine, after my first full year of teaching, do a career project, in which they researched and presented a project on career of their choice (save being a musician, model, actor, or athlete–they could do a project on an adjacent career, not exactly on those). We traced what it would take to potentially reach those dreams.

Nonetheless, in my proposal, I focused on relationships for our inner-city students. Life had taught me that having the right degree was, by a long shot, not enough. You need to know people. People need to trust that you can do a good job. How do you get to know people that could employ you or trust you if the potential employer you seek is not a member of your own community? I think this did not sit well with the career-educators judging the competition.  My guess is they had been rewarded for being good students, wouldn’t everyone?

Teachers, on the other hand, are involved in a deep bureaucracy. If they take certain classes, pass certain tests, get the right credential, and, then, also know someone, they get a job. They keep this job as long as they do okay, take some more classes, pass some more tests, behave. How many other types of jobs work like that any more?

Many people I know get their jobs through a combination of having the hard skills and also by having the soft skills of networking, by being someone other people want to be around, etc. You can have all the college degrees in the world, but if no one knows you that is in the hiring class, then you may not get the kind of job the teachers back in school promised you.

It’s happening now. A lot of kids coming out of college and having nowhere to go, and that is not just due to the economy–they don’t have access to the people that are hiring. They were told that if they just went to college, they would soon have a middle class life and be doing something fulfilling, more fulfilling than minimum wage work. They were told they could reach their dreams…. like their teachers had? Like their college professors had? If the kids coming out of college do get jobs, they are often lower administrative positions in which they are paid peanuts for also having skills their baby boomer bosses don’t have: social networking, web design, blogging, etc. Ah, the good life.

What would happen if the school marm yokes were lifted from the schools? What would happen if a league of artists were brought in, circumventing the regular hoops, and brought a group of students from ninth to twelfth grades? Maybe add to this group of artists a group of entrepreneurs and mentors out in the community– What if schools taught classes in innovation, design, entrepreurship, collaboration, networking and then students got out into communities to work, thereby making contacts that might hire them once they go to college?

Geekdom Blog #2 and Educational Ruminations

Written by admin on February 5th, 2010

As the daughter of someone that was once at-large president of the Graphic Artists Guild of America, it’s time I grabbed this graphics stuff by its horns.  Vocab for today, straight out of the comics: z-buffering, painter’s algorithm, alpha channel, and my favorite of today, alpha compositing. All of this has to do with how computer graphics are realized. Painter’s algorithm is the depth of 3D on 2D that painters employ, that is, the background is obscured by objects in the foreground. As for jiving on things, this simple graph is what I am trippin’ on right now:

Alpha Compositing

from: http://en.wikipedia.org/wiki/Alpha_channel

Take a look, how pixels are related and how math gets them there. It’s all good sense, really.  I am sure the creators A.R. Smith and then Thomas Porter and Tom Duff who worked on this back in the 70s are happy to have my approval.  Now I see a use for algebra, because, algebra is what makes this work in a digital world.  In the back of my mind, I know this, but the front of my mind thinks, if we’d been shown real-life applications of this in eighth grade, and, been given the chance to maybe work in the real world with algebra creating graphics, I might be a mathematician today.  Look at all the cool things using alpha blending:

No, I don’t really need to know about alpha compositing in order to start gaining on these graphics programs, but this is sure cool anyway. There are things in my life that I set out to relearn, or to learn, because I felt I wasn’t educated enough in them the first time around. Math and science are a couple of those things. I went all the way to Calculus in high school, but math was taught completely out of the context of the physical world, and we never applied any of the math we learned. Seeing the math applied is quite exciting. I wonder how many artists feel locked out of math; so many I have known do… What would happen if science and math and art schools were to blend? Or maybe just one school were to blend, creating a degree in applied mathematics and art, or a BSBFA?

Rethink, restart

Written by admin on February 4th, 2010

The hero’s journey includes crossing water, usually a large body of water, till he gets closer to the center of the action and himself. The changing point in this journey is when the hero seems to be as far away as possible, both physically and mentally, from that which he seeks or needs to obtain. Then the ground shifts and actions propel him fully…maybe not in the direction he seeks, but anyway, all is moving finally along (finally). That is my restart with this blog. I was in Tbilisi, Georgia till October 2009. I crossed water. Now I am near the Kanawha River. You can go home again. Been thinking about New York City, too. I have often said that I grew up in West Virginia, but became an adult in New York. I have looked at the Appalachian ghosts square on. Not sure I have looked yet, fully, at the ones floating for me still in the Big Apple. They will have to wait a while longer.

The folks I have been reading lately blend together: Lilian Gish stating a well-worn notion that “Art” (her capitalization, not mine) is for the few. This is melding with a wonderful essay, The Mask and the Movietone (1929), by the writer H.D. in which she worries that films are like our dolls come to life and she frets about what will happen to our imaginations once our “dolls” become too perfect.

My husband gave me a couple of books by Twyla Tharp for Christmas.  I am not much of one for writing assignments.  In fact, I generally hate writing exercises. I don’t mind writing nonfictional analysis on demand, but I never want to write creativly what someone else tells me to write. Collaboration is fine; that I like, but I don’t want to “Imagine you are in a field and only one person from your life can walk toward you.  Write that scene.” I got enough on my emotional writing plate, thanks.

I find a good chunk of Tharp’s thinking about creativity very competitive and quite black and white (I stand by Merle Haggard’s notion that creative people shouldn’t compete, and, I also often think of more traditional societies in which everyone dances, everyone sings, everyone imbues art in their daily objects–where that life force is just part of everyone’s life, and I think, what good is Western reach for the new, Western reach for the novel, Western reach for “perfection” and “be all can you be?” Who the  hell am I, really, to judge?  I can like or not like something, but that in no way makes me, or you, right… and who cares? I am still opinionated, but those opinions, really, doesn’t friggin’ matter….).

In any case, Tharp is not screwing around, though, when it comes to one list of questions she calls “Your Creative Autobiography.”  It’s in a chapter in which she discusses “creative DNA”–basically, what is your imprint, what is important to you, and what mark do you leave, what framework do you work from?

I am going to work on these questions. They feel like the right place to start. Then, I am going to work on them in the programs I am beginning to learn, then I am going to post some kind of results here.

One last note, I don’t know whether it was Tharp, but something I was reading the last few days also spoke about the tug between being alone and being in company that creative folks have… the strange impulse for creation, which often takes solitude (even when creating with others, it may take a way of being undisturbed, at the very least) and then an impulse to share with an audience, and, how the latter can always be disconcerting. I know for me that when I share my work publicly, as publicly as I have in the last year and a half, when I first release what I do, I feel like I have been caught with my pants down.  I feel that way until some unsolicited post-publication feedback comes in, and then, my face doesn’t burn, or, burn as bright. My sense is that many more people feel that way.  I wonder.